Yes, But…
All these pictures are real and portray Palestinians. Yet, the photographer (and sometimes the people photographed) choose what to highlight—an angle, a setting, a moment. When these are taken out of context or singled out, they can reinforce stereotypes and construct reductive and dehumanising views of who Palestinians are.
👉 Explore more on stereotyping and ethical visualisation.
Yes, But…
All these pictures are real and portray Palestinians. Yet, the photographer (and sometimes the people photographed) choose what to highlight—an angle, a setting, a moment. When these are taken out of context or singled out, they can reinforce stereotypes and construct reductive and dehumanising views of who Palestinians are.
👉 Explore more on stereotyping and ethical visualisation.
Yes, But…
All these pictures are real and portray Palestinians. Yet, the photographer (and sometimes the people photographed) choose what to highlight—an angle, a setting, a moment. When these are taken out of context or singled out, they can reinforce stereotypes and construct reductive and dehumanising views of who Palestinians are.
👉 Explore more on stereotyping and ethical visualisation.
Yes, But…
All these pictures are real and portray Palestinians. Yet, the photographer (and sometimes the people photographed) choose what to highlight—an angle, a setting, a moment. When these are taken out of context or singled out, they can reinforce stereotypes and construct reductive and dehumanising views of who Palestinians are.
👉 Explore more on stereotyping and ethical visualisation.
Yes, But…
All these pictures are real and portray Palestinians. Yet, the photographer (and sometimes the people photographed) choose what to highlight—an angle, a setting, a moment. When these are taken out of context or singled out, they can reinforce stereotypes and construct reductive and dehumanising views of who Palestinians are.
👉 Explore more on stereotyping and ethical visualisation.
You're Right!
All these pictures are real and portray Palestinians. Yet, the photographer (and sometimes the people photographed) choose what to highlight—an angle, a setting, a moment. When these are taken out of context or singled out, they can reinforce stereotypes and construct reductive and dehumanising views of who Palestinians are.
👉 Explore more on stereotyping and ethical visualisation.
Not really.
While showing the catastrophic humanitarian conditions created by Israeli genocide and blockade is important, there are more ethical ways to do so. This type of imagery dehumanises Palestinians and undermines their dignity and agency while reinforcing a sense of pity rather than solidarity. It does not show or acknowledge the perpetrator in any way. No consent was received from the person portrayed.
👉Explore more on the “humanitarian crisis” narrative and ethical visualisation
You're Right!
While showing the catastrophic humanitarian conditions created by Israeli genocide and blockade is important, there are more ethical ways to do so. This type of imagery dehumanises Palestinians and undermines their dignity and agency while reinforcing a sense of pity rather than solidarity. It does not show or acknowledge the perpetrator in any way. No consent was received from the person portrayed.
👉Explore more on the “humanitarian crisis” narrative and ethical visualisation
Not really.
While showing the catastrophic humanitarian conditions created by Israeli genocide and blockade is important, there are more ethical ways to do so. This type of imagery dehumanises Palestinians and undermines their dignity and agency while reinforcing a sense of pity rather than solidarity. It does not show or acknowledge the perpetrator in any way. No consent was received from the person portrayed.
👉Explore more on the “humanitarian crisis” narrative and ethical visualisation
Not really.
While showing the catastrophic humanitarian conditions created by Israeli genocide and blockade is important, there are more ethical ways to do so. This type of imagery dehumanises Palestinians and undermines their dignity and agency while reinforcing a sense of pity rather than solidarity. It does not show or acknowledge the perpetrator in any way. No consent was received from the person portrayed.
👉Explore more on the “humanitarian crisis” narrative and ethical visualisation
Not Quite Right.
Using the keffiyeh—an emblem of Palestinian resistance—as a summer “look” detaches it from its political significance. This image commercialises and exoticises the keffiyeh, transforming it into a consumable aesthetic while ignoring the struggle it represents.
Not Quite Right.
Using the keffiyeh—an emblem of Palestinian resistance—as a summer “look” detaches it from its political significance. This image commercialises and exoticises the keffiyeh, transforming it into a consumable aesthetic while ignoring the struggle it represents.
You're right!
Using the keffiyeh—an emblem of Palestinian resistance—as a summer “look” detaches it from its political significance. This image commercialises and exoticises the keffiyeh, transforming it into a consumable aesthetic while ignoring the struggle it represents.
Not Quite Right.
Using the keffiyeh—an emblem of Palestinian resistance—as a summer “look” detaches it from its political significance. This image commercialises and exoticises the keffiyeh, transforming it into a consumable aesthetic while ignoring the struggle it represents.
Not really.
While images like this reflect the real suffering caused by Israel’s colonial violence, this image is taken without informed consent and in moments of profound vulnerability. The presence of children makes this even more ethically troubling, as they are reduced to images of victimhood. These representations reinforce dehumanising narratives of Palestinians as helpless and passive, undermining their agency and resistance.
👉 Explore more on stereotyping Palestinians as victims and ethical visualisation
You're right!
While images like this reflect the real suffering caused by Israel’s colonial violence, this image is taken without informed consent and in moments of profound vulnerability. The presence of children makes this even more ethically troubling, as they are reduced to images of victimhood. These representations reinforce dehumanising narratives of Palestinians as helpless and passive, undermining their agency and resistance.
👉 Explore more on stereotyping Palestinians as victims and ethical visualisation
Not really. .
While images like this reflect the real suffering caused by Israel’s colonial violence, this image is taken without informed consent and in moments of profound vulnerability. The presence of children makes this even more ethically troubling, as they are reduced to images of victimhood. These representations reinforce dehumanising narratives of Palestinians as helpless and passive, undermining their agency and resistance.
👉 Explore more on stereotyping Palestinians as victims and ethical visualisation
Not really.
While images like this reflect the real suffering caused by Israel’s colonial violence, this image is taken without informed consent and in moments of profound vulnerability. The presence of children makes this even more ethically troubling, as they are reduced to images of victimhood. These representations reinforce dehumanising narratives of Palestinians as helpless and passive, undermining their agency and resistance.
👉 Explore more on stereotyping Palestinians as victims and ethical visualisation


